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Needful Things
Something about drums.
Closed his eyes, it was there, that pounding, the dustclap slap and
deep-throated growl of drums.
He woke in cold sweat, muscles pulled tighter than a . . .
He'd flinched so hard his nose was bleeding. With stupid, morbid
fascination, he watched the long drip down, heavy dark drops catching the
light then losing it, almost living in color again before dulling and dying
twisted and splayed on the white sheet. He watched the ritual repeat itself
half a dozen times before whatever physics governed him made his flesh
sound again.
He was shaking while sitting still. It put him vaguely ill at ease. Pulled
so leather taut his muscles responded to some other god.
Stretched and recurled his hands, trying to regain control of his body. The
tendons were so taut as they slid over bone he could swear he heard the
shrill whine of a violin's scream.
Too tight. Everywhere, he was too tight.
Tighter than a drum. Tighter than a fucking drum.
He stood painfully and glanced back at his bed, realizing with some curious
concoction of disgust and fear that blood was not all he'd left on the
sheets.
***
Running, muscles numbed by the fire of stretch contract slam slam slam.
It was a fucking good thing, he thought, that he didn't have to breathe.
***
"Do you miss me?"
He looked at her for a long time before thinking. It was the shock of
seeing her. Maybe because it was shocking to talk to dead girls. He almost
laughed. That probably wasn't it.
"I miss something," he said truthfully. He really wasn't sure.
"Do you miss me?" she asked again, crawling over to him. She
smelled like that damn decadent flower she always wore. The one that
smelled like whores but reminded him of decay. Baby girl hands, soft hands,
on his thighs. "Darling boy?"
"I really want to," he whispered. It wasn't the answer she'd
wanted, but she didn't seem to mind.
She pulled him close against her breast, holding him in something gentle
and uncomplicated.
Although of course it wasn't.
He closed his eyes. The drums.
***
She was naked except for the armor.
Bronzed skin and gold hair, then the tarnished dented worn away grey
silver. He felt like he should be a jeweler. Like he wanted to be. But no,
not that, a blacksmith, with soot and char burn to hide behind.
(he was afraid of fire.)
A breastplate, battle scarred, with an angry puncture right above her
heart. A leather belt circling her now-woman hips, a sword hanging from
that.
He knew that sword like he knew every inch of her skin.
No. He knew that sword the way she knew his.
The armor was new. Maybe.
The dark circles under her eyes, and the pain there, those also were new,
but he really should have seen them coming. Of course, he didn't, not until
it was too late. Blinded by beauty or innocence or perfect happiness. He
was pretty sure, though, that he knew before she did. Maybe she didn't know
yet. She will.
She raised her sword. "On guard."
"I don't have a weapon."
She narrowed her eyes, tightened her soft pretty mouth into a blade thin
line. "On guard."
He stood, fanning his hands open-palmed before her to show her his lack of
artillery. Without hesitating, she drew the blade quickly and fiercely
across his right palm. He almost didn't feel it, and his first real
indication of what had happened was the noise of his blood slipping silkily
and puddling on the ground with slight footstep drops.
"All you are," she whispered, "all you've ever done has led
you here."
He looked up, fearful. "What will I become?"
There was no emotion on her face, nothing her, nothing not ancient. Maybe
something of her, in that. "Are you worthy?"
He didn't know the answer to that, but it didn't bother him. He was
immediately distracted when the drums started up behind her. Celtic
warrior's tempo, and everywhere. She was made of it. It was drowning him.
He didn't know how he could have missed it before.
***
All this alone time probably wasn't too healthy. Too many thoughts, too
much time to obsess over . . . things.
He lit another cigarette. It burned at him, flame and smell nipping at him
like the dancing embers of a blacksmith's oven.
He shied away from it, without really meaning to.
It was hot going down, enough to fool his flesh into warming, softening,
thawing, if even for a minute. Then, the exhalation, and the acrid smoke
came out again almost cool enough to frost.
Foolish, hiding in his own fucking house. His own fucking house.
He was in one of the many, many bathrooms, back against the wall, sitting
between the sink and the tub with his knees bent, his arms resting over his
knees, and the lights off. Not that it mattered, except there was something
kind of frightening in never being able to be completely in the dark.
The only thing he couldn't see was his reflection in the mirror only feet
above him, and there was something kind of frightening in that, as well.
The rest of the team was stories below him, pattering on in their normal
mortal ways. In the sunlight. Without the fucking cigarette or the need to
hide. He could hear them, even through all the concrete and wood and ugly
wallpaper.
He dropped another dead shell of a fix to the floor and picked up another
one in a slow trancelike motion. He placed it between his lips, flicked a
match from red to yellow and brought it to the tip.
He stopped, the flame dancing in gleeful leaps just breaths away from him.
Not that that was a useful unit of measure anymore.
With the hand not keeper of the flame, he removed the cigarette from its
absurdly dramatic place and dropped it on the floor. The match he kept, and
he watched with gruesome interest as the dancers flung their tiny fluid
bodies around in mad arcs until they tired, coming closing into small
balls, the resting position, disappearing into his fingers . . .
It hurt. Jesus God, did it hurt. He closed his eyes and drew in a sharp and
unneeded unit of measurement hard enough to crack his ribs.
(the pain is . . . less)
He closed his fingers around the still burning match, still burning skin
cupped in his palm
(what will I become?)
and then - slowly - closed his fingers around the flame.
***
"It's funny."
The monster that was once a whore looked at him in a manner he was sure
didn't belong to her. "What's that?" She was holding him in her
lap, which was softer than the silk sheets puddled around them, but just as
cold. Stroking his hair, cuddling and petting him with a hand that he
thought her recognized as his mother's. Anyway. You really could discern
those lines anymore, and maybe it was for the best.
He looked down at his hand a bit doubtfully. "There's no scar
tissue."
She drew her tiny golden eyebrows together. "Scar tissue."
He looked at his palm. "It should be . . . broken."
"Why should there be scar tissue?"
He drew away from her, looked at her curiously. "I told you, there . .
. I should be broken."
She sighed and shook her head. "No." She took both his hands in
hers, squeezing him gentler than he remembered her ever doing. "No,
love, nothing's wrong. You're my precious darling boy, and I'm taking care
of you. And nothing's wrong."
He lowered his head, partially in thought, partially to try and get another
look at what should have been his ruined hand.
Her
(his mother's)
hands slid up his arms, his shoulders, his neck until they cradled his
face. She inched on her knees until she was in his lap, slipping her
gorgeous legs around his hips and cuddling him close to her. She whispered
quiet little murmurs that meant love and smelled like whores and decay.
The smell was hers but he was sure the words weren't.
He listened anyway.
***
"Demons."
That was going to be his answer if anybody wanted to know about his hand.
He dressed in a too long shirt, though, and the soft dark material pooled
down around his hand, obscuring the thick white bandages.
So nobody asked.
Or, if they did, he didn't know it.
He was going through everything in a sort of off-color way. It was like he
was in color, and everything else, that was fifties TV reruns and it was
going by him so fast and in colors so washed they were like shades of grey.
People moved their mouths, and there was sound, but those sounds didn't make
words. All just a rush of advertising and laugh track.
He had started spending more time smoking. Spending more time alone.
He slept more.
Maybe nobody noticed.
"Demons."
He turned around too quickly, wondering in a sort of pre-panic unease if someone
had caught on to him. It was Cordelia, looking at him like Samantha, all
dolled up in some Technicolor version of the truth, her mouth moving in a
way that he wasn't sure was real and her voice coming like it had been
dubbed.
She raised her eyebrows and rolled her eyes, right on cue, and he wanted to
smack her too pretty face witchy face. "Hello, earth to Angel? Demons.
The call from the guys out by . . ."
She left again. Her mouth kept moving, but all the noises she was making
words with got lost behind the laugh track. He squinted, tried to focus, as
if that would help.
". . . he sounded really cute on the phone and when I asked him about
whether they had three spines or five and did he have a girlfriend . .
."
Gunn stepped into the main floor of the lobby and Cordelia's chatter was
swallowed by the sound of the live studio audience welcoming a favorite
player with catcalls and whistling. Angel looked at him for a long time,
until he started talking too, and the crowd grew fidgety and excited like a
flock of dirty pigeons and the stereo of Cordelia and Gunn speaking at once
over the birds and then those motherfucking drums again
He closed his eyes futilely and shook his head like it would do something.
"I have to go," he said, but he doubted if anyone could hear him
over the fucking cacophony going on in the lobby.
He ran up the stairs, taking them two or three or eight at a time, thinking
no one had noticed. He might have been surprised at the shock his two
friends' faces registered as he disappeared from sight.
Or maybe not. He couldn't really breathe, couldn't even open his eyes with
those fucking drums.
***
"The armor."
She looked at him like he was dumb. "Yes?"
"Where'd it come from?"
She looked down at it doubtfully, scattered at her feet and looking much
thinner and cheaper than it had yesterday. She sucked in her bottom lip
like a little girl's gesture of confusion and doubt, then slowly brought
her eyes to him.
"I think it's yours," she said softly. She looked small all of a
sudden in a way that had little to do with the armor being gone, littered
at her feet, and her just standing in front of him naked, small shoulders
and little girl's hands and baby doll eyes.
"Where did it go?" he demanded, acting as though he hadn't heard
her response to his first question. Second, maybe. He'd asked her something
else, but he couldn't remember what it was. Maybe it wasn't important.
He had a sneaking suspicion that it was.
She flinched at his tone, a scolded, frightened little girl. "It's right
there in front of you." She kicked at it listlessly with a bare foot.
The metal - looking thinner and more like a child's toy every second - made
crinkling, sharp music noises as it fell and tickled past itself. Buffy
flinched again.
"Why'd you take it off?"
She raised her clear eyes to him. "Oh. That."
She folded her hands delicately in front of her, partially obscuring his
view of where the sword
(swords)
had been.
"I didn't."
He started to get angry again, heat sensors reading a clear bright red all
of a sudden. He stared at the heap of twisted metal at her feet, then
glared up a her. "You -"
"You did," she finished, throwing her eyes upon him warily.
"I did," he repeated emptily.
"Yes," she said cheerily. "But I figured I should let you,
because it was partly your doing in the first place."
"Was it." Didn't really feel like a question to him.
"Oh, yes," she murmured happily, stepping over the armor and
coming toward him in cautious toddling steps. "You were the
blacksmith, remember?"
He didn't say anything. He felt like screaming.
"Remember?" she asked again, gently, coming to a still in front
of him. She searched his face with wide intelligent eyes, waiting for . . .
something.
"Yes," he whispered mournfully. "I do."
She smiled softly, extending a tiny jeweled hand
(hands, crown, heart)
to him.
(you wear the heart pointed toward you, see, to show that you belong to
somebody)
He looked dubiously at her proffered hand for what seemed like an eternity
before shyly extending his hand - the right one, which should have been cut
and burnt but didn't hold the wounds here. Smiling, she took his, folding
it gently into hers.
"I love you," he said weakly. "I've never loved anything
else all my life."
She stood up on her tiptoes and dusted a small kiss across his cheek.
"I know. That's why you're not allowed to have me."
He started to cry. From under her slender fingers, dark rivulets of blood
began to pool around her fingertips and trickle down to the floor below,
which for some reason Angel wasn't able to see.
Cocking her head slightly to one side and meeting his eyes, she said
finally: "But if it means anything, I love you, too." He opened
his mouth to speak, but any sound he would have made was seemingly
swallowed when her lips parted again, tiny and soft but more powerful than
Acathla's. "And I'll always be your girl."
She wrapped her arms around him, drawing her close and smearing him with
blood. She nuzzled close to him, lips on his mouth, his throat, and then
resting lightly over his ear.
"Forget the drums, Angel."
He was surprised; he hadn't known that she knew.
"They'll swallow you whole."
"Tell me -"
She shook her head. "We don't have much time . . . ." She kissed
him. "I love you."
He started to speak again, but all that sound was swallowed up.
***
He sat bolt upright in bed, sweating and tangled in his sheets. He couldn't
remember anything but snatches of his dream.
Something about drums.
***
"Are we playing a game?"
***
"Put the blade in the wall."
***
Another pack gone, three, four.
With all the sleeping he was doing, he had no idea how he found time to
smoke. He lit another one, closed his eyes, and took a deep drag. The sink
in the bathroom he'd been using was beginning to yellow. Didn't matter. He
couldn't see a thing with his eyes closed.
Finally.
***
He hadn't been downstairs in days.
***
"How's that feel?"
"I'm not sure. I can't feel anything at all."
Darla arched an eyebrow. As if drawn by it, one corner of her cherry
blossom mouth drew up, as well.
"That sounds about right."
He couldn't hear her. The drums.
***
He woke up dusted like Ash Wednesday. He'd fallen asleep with a burning
cigarette cocked in his hand. It had only just begun to burn his fingers.
He didn't really feel the pain. The pain, the real pain, was in his head.
Those fucking drums.
***
He crept downstairs quietly, never more than an inch and a half from the
wall on his way down. Whether he was going downstairs out of need or
compulsion he didn't know, but there was still an almost tangible voice in
the back of his head whispering for him to go. Insistent, highly-cadenced.
Every word coloring a beat of the drums.
***
"Forget the drums, Angel."
***
"Are we playing a game?"
***
Cordelia is alone at the desk, and he can tell from the smell and the heat
and the beat and intensity of the drums that she is the only one in the
building.
***
"How's that feel?"
He hasn't fed in weeks.
***
She doesn't look up until he's close enough to count her freckles and the
drums make it difficult for him to stand up straight.
"Hey," she murmurs. She's always quieter in the evenings, and
when they're alone together. He likes that about her.
It's kind of difficult for him to move his mouth.
"Hey."
"Kind of nice to see you, you know, awake."
There's insult there, but mostly she's worried. He doesn't really care
about either.
"Cordelia."
She narrows her kohl-lined eyes, looks at him oddly. "Are you
okay?"
No. No, he's not okay, his head is caving in. The entire hotel is shaking.
There's an earthquake in his blood and it's all because of her and her
goddamn drums. He closes his eyes briefly, trying to shut out the pain, and
when he opens them again, Cordelia slides from caramel to snow white to
bronze and then back into herself. Her eyes can't seem to hold themselves;
they're brown then blue then green, a change for every drumbeat.
"What do you think you're doing?"
Her eyes widen, surprised, green all of a sudden, and her mouth drops
slightly to a little girl's Acathla. A mouth that knows every inch of his .
. . "Angel, are you okay? What are you talking about?"
The pain . . . it hurts, God it hurts so bad, and it's only getting harder
. . . . he flies his hands over his face, trying to smooth the unease out
of his skin. It doesn't work, and he starts to panic, and he's wide-eyed
when he looks back up at her. She's risen, and she's coming toward him, and
she is
(stepping over the armor)
close now, very close, and he can smell her perfume and her pulse goddammit
she smells like heaven and if I could only, just for one second . . .
She pales rapidly, and whispers in a whore's voice, "I know you want
it."
He doesn't know what she's talking about, and he's panicking now . . .
Darla's lit by the sun all of a sudden, and her bronze skin looks dark dark
around the tiny lovely mouth, which is all Angel can look at . . .
"You want me," she whispers, and he takes a step forward, two
steps, and closes his hands around her small arms . . .
He pulls her close, into his body, buries his nose in her hair . . . he
looks down at her, briefly, and her hair is darker than it should be, but
Jesus God, she's just so fucking warm and she feels like heaven, Jesus, she
does . . . he kisses her mouth, lets his hands run over her body, and at
first she makes little protesting noises in the back of her
(supple)
throat, but then she relaxes against him . . . he pushes her back, until
she bends against the desk as her legs hit, and he climbs on top of her
easily, fuck yes, he knows how to do this; it may have been years but it's
just like riding a
(smelled like whores but reminded him of decay.)
and anyway he's been doing it for miles in his dreams . . . she makes a
noise, something loud, but something he can't hear over the drums . . .
they're getting louder, getting louder as he tears off her clothing, as he
runs his scarred hands over her gorgeous, taut caramel flesh . . . they're
getting louder as he throws her Fred Segal skirt to the floor, as he tears
her cheap underwear and slams into her with the same simple, forceful
movement of a sword, getting louder as he closes his eyes and wishes for
some peace and fucking quiet and some fucking release and
(she smells like heaven)
buries his face in her throat as he comes.
***
The drums have stopped.
***
Darla is waiting in the lobby. She is tired, and less beautiful than usual,
because now she's human and she's a working girl to boot. Still, though,
she's got that amazing sense of style, and she presents a gorgeous,
professional face in her blue cashmere sweater and linen skirt, with her
blonde hair twisted down around her pretty face in tendrils. She's smoking
a cigarette in a very alluring way, not because she likes it, but because
she knows how much his habit has grown of late, and she likes to add little
personal touches to please her boy.
Mostly, she wishes she got to see the performance in its last act, but the
aftermath is fairly self-explanatory, and almost as much fun.
Darla waits by the door not because she doesn't want to be spotted, but
because she doesn't want any blood on her four-hundred dollar Chanel pumps.
Perception is everything, and she doesn't need some poor Seer's blood
ruining others' perception of her. Especially not today. Today is an
important day.
Her victory. Her triumph. Her boy's homecoming.
She does do good work.
The Seer is still thrown across her desk, gloriously naked, surrounded by
puddles and litters of pens and pencils and paper and her own posh clothing
and dark blood. He tore her throat out after raping her, which Darla thinks
is a particularly brutal touch that adds a sort of gothic ambiance to the
entire scene. Of course, she taught him everything he knows.
Angelus is rising slowly; the soul is gone, but a bitterness remains, and
the result is the procedure being a bit painful. Perfect happiness can be a
bitch, sometimes. Darla takes another drag from her cigarette and reflects
on this. She decides it's for the best; after all, aren't things more fun
that way?
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