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I own
none of the following characters. I don't intend to infringe on any
copyrights. If you enjoy this story, please let me know at
RhinestoneDazzle@aol.com.
The Gentle Art of
Compromise
Author:
Dazzle
Rating:
Either a strong R or a light NC17
Ships:
A/C
Archive:
Wherever you want
Spoilers:
Through "Loyalty," with some advance info through "Sleep Tight"
Warnings:
sexual content
*****
Part
1: Angel
My
relationship with Cordelia is a compromise.
My
relationship with her -- it's a lot of things, really. Every time I try to
step back and look at it, it's different to me; the slightest change of
mood or reflections makes everything change. Kaleidoscopic shifts.
Sometimes
it looks like a detour, something almost bizarre, a path I could never have
foreseen in a thousand years.
Sometimes
it seems necessary, inevitable, destined.
Sometimes
it seems like one more part of my punishment.
Sometimes
it seems like the all-but-perfect fulfillment of a reward I could never
have deserved.
But
whatever it is -- and I think it's all these things and more -- however it
appears at any given moment, it's always a balancing act. A compromise
struck between all the things we can have, and all the things we can't.
Fred
still insists that Cordelia and I were destined to be together, but when I
look at Cordelia, I know that can't be true. Even the Powers couldn't have
been that cruel to her. Her body -- shaped and shaded as perfectly as any
woman's I've ever known, in 250 years -- was destined to be with somebody
else, some guy who could satisfy her in ways that I can't.
She's
so good, so kind. "It doesn't matter," she insists. "Angel,
what matters between us isn't physical. It wouldn't be what mattered
anyway." And she almost convinces me, every time.
But I
see the moments she thinks I don't see -- the flashes of impatience, the
frustration. Sometimes it's when we're working out together, bodies moving
in unison, discovering how well we can sense and match each other. I see
her refusing to meet my eyes, the steadfast way she concentrates on her
blade, her steps. On the pattern we must not break.
I try
and deal with my own frustration on my own time. The punching bag in the
workout room is beginning to show seams in the canvas; I've knocked it off
its chain a few times, and it's only a matter of time before the ceiling
joist gives way. I've started my t'ai chi again, after a couple years off.
A few mornings, before dawn, I've even tried running -- not jogging, like
the panting middle-class workers I pass on the dark sidewalks -- but
running, as hard and as fast as I can.
Exhaustion
dampens down the fire, but it never puts it out.
Of
course, Cordelia's right, on some levels. I didn't fall in love with
Cordelia because I desired her -- I began desiring her because I loved her,
and I loved her first as a friend. And all the things that made me love her
are still a part of our existence. She still has her sharp tongue, her
quick wit, her honesty, her temper and her fire. She makes me laugh at the
strangest things, usually at the most inopportune moments. She finds ways
to make our lives beautiful, whether that means something as elegant as a
concert (Mozart at the Hollywood Bowl, night sky above us, music flowing
around us like water) or as simple as an earthenware bowl (set on my
bookshelf without a word, just left for me to discover). She gives me
comfort, now more than ever, now that I need it most.
We
still have all of that. I don't think we'll ever lose it -- even if the day
comes when our compromise isn't enough for her anymore, I know her
friendship is mine eternally. That was something I didn't have with Buffy;
I didn't think about it much at the time, the idea of friendship as the
substance of love. I think about it a lot, now.
And
if that day comes, if Cordelia finally says that she wants to find someone
else, I'll handle it, somehow. But as much as being her friend means to me,
I don't want to go back to being just a friend, not now and not ever.
It
was hard enough to bear before I knew what I was missing.
That,
of course, is the hell of it. We do know what we're missing.
It
was the night after Connor was lost. That night, when all my thoughts
should have been for my son. Sometimes, when I remember that, I feel lower
and more dirty than I ever have in all my years, and I don't say that
lightly. My son had been taken from me, taken by a man I trusted as much as
anyone in the world, and I should have been incapable of anything but
mourning.
At
the time, it felt as though I were incapable of doing anything at all. I
hurt so much that I thought, if I had been a human, a living parent, I
would have died from the pain of it alone. I wondered if it could kill me
anyway, splinter through my heart like a stake, turn me to dust. I almost
hoped that it would.
I lay
on my floor, unable to get in the bed where I'd held him and fed him,
unable to turn my head toward the door that led to his room.
What
had been his room. Oh, God --
I
didn't even hear Cordelia come in. Just felt her arms sliding around me as
she sat by my side, lay her head on my arm. Even though I didn't turn, had
no idea she'd come back from her time with Groo, I knew it was her; it
seemed like the only thing I could be sure of. For a long time, neither of
us said anything, did anything. But Cordelia's heart beating against my
back, the warmth of her skin --
She
was life itself. So near to me, and still so far.
I
tried to choke back a sob; apparently I didn't do very well, because
Cordelia began stroking my back, murmuring wordless comfort. After a few
moments, she pulled on my hands, towed me into a sitting position. As I sat
there, weak with misery, she embraced me tightly, buried her face in my
neck.
I put
my arms around her, too -- it was an embrace between someone hoping to give
comfort and someone trying to accept it, no more. But as our bodies
touched, everything changed. The warmth of her skin sank into me, and the
beating of her heart was so loud and so real, and suddenly every moment of
desire I'd ever had for her was like black fire in my mind, heating my
body, blessedly clouding my mind.
The
sad thing is, I can't even pretend I didn't understand what was happening.
I did, because it almost happened to us once before -- not long after Doyle
died, only a day or two after Wesley joined us. Cordelia had worked late,
and I had her down for tea, and we had embraced as we parted. But we didn't
let go. For a few long minutes, we had stood there, wrapped around each
other, caressing each other's backs, arms, faces. It would only have been
comfort, then. Because we understood that, we didn't act. Just let go of
each other, never mentioned it again.
But
all these years later, I wanted so much more than comfort. And as I brought
my hands up to her face, looked into her eyes, I was suddenly certain she
wanted more, too. I was such a fool that I'd never seen it before.
Damn
us both. For not daring to talk to each other about it before, for not even
fully accepting it within our own minds, for using my son's abduction as an
excuse.
But
when else could it have happened? When else could we have been completely
sure that we couldn't find perfect happiness?
Cordelia
leaned forward, brushed her lips softly against mine, offering me the
chance to say no, to turn away. To respect my son's memory. Instead I
kissed her again, brushing my lips with her tongue. Opening her mouth with
my own. Feeling the warmth of her as our tongues met. When I brought my
hands up to her breasts -- tentatively, uncertainly, like the schoolboy I
haven't been for centuries -- she moaned into my mouth, and whatever chance
we had of turning back was lost.
My
hands were shaking as I undressed her; I was clumsy, too fast, and I would
have apologized if I'd been able to stop kissing her long enough to speak.
But I was so overpowered by the need to touch her, to feel something
besides the pain. And it was her -- Cordelia, my Cordy, the woman I'd
wanted and loved for so long. Her love was the only comfort imaginable, and
I was grateful and overwhelmed and half-crazy with wanting her.
I say
all that, and it sounds like I'm making excuses. Claiming that I couldn't
think from wanting Cordy so bad. And that's just not true. I could still
think, was still aware of myself. And I knew what I was doing -- because,
once again, I'd done this before, without knowing it.
One
night. Two lovers have only one night for all the lovemaking they'll ever
have. And then they have to go on after that night, knowing what they've
lost and can never have again. It almost killed me the first time, tore
Buffy apart, and I knew what it would do to Cordelia, I knew how it would
hurt her, and I didn't stop. I still didn't stop.
I
didn't think about what I was doing to her life; I thought about the
wreckage of my own. I knew I wasn't going to get a whole life. That was
gone for good, gone with Connor. But I thought we could give each other
comfort, give each other one memory to carry with us on the long, hard road
ahead.
And
so we made love, for the first and last time.
The
images from that night are burned in my mind, phosphorescent in the
darkness of memory. Cordelia's breasts, bared to my eyes and my hands and
my mouth. Her voice, crying out as I held her hips to the bed and made love
to her with my tongue. Her lips, closing over my cock, drawing me in so
deep.
And
finally, her straddling me, lowering herself onto me, sinking me into heat
and pressure that blotted out everything in the world but her.
I
whispered, "Cordelia, I love you."
And
I'll never forget the look on her face -- the tenderness, the tears in her
eyes -- as she whispered, "I love you too, Angel." In that
moment, it seemed as though there weren't any pain I couldn't bear, as long
as I had this woman and her love.
So
far that's been true, I guess. I still hurt for Connor every day; I know
that if I live another millennium -- get old and strange, feel my face and
hands and feet shift into the animal I will surely become -- that will
still be with me. As long as there's anything in me that isn't wholly
demon, I will still love my son. Losing him is the one thing I'll never get
over; as much as it hurts, I wouldn't really want to get over him.
But
Cordelia gives me strength. She gives me reasons to go on, even to be
happy. Some of the attention and care and love I would have given Connor
has someplace to go, now; Cordelia's someone I can take care of. I guess
I've always needed someone to take care of.
What
we have -- is it enough for her? It is for me, but then again, it has to
be. Cordelia has other choices, and someday, maybe, she'll choose something
else.
But I
know that for now -- when we lie in bed together, curled against one
another, sheltering each other from whatever may come -- it's enough.
What
we have together is enough.
*****
Part
2: Cordelia
My
relationship with Angel is a compromise.
Like,
what isn't? Nobody gets everything they want, and if my own life history
isn't enough to convince you, then you're just not facing reality.
After
all, who had a better shot at having it all than me? Queen C herself, rich
and pretty and popular. And I wasn't one of those lame-brains who got by on
her highlights and hemlines, either -- I knew how to work my power at good
ol' Sunnydale High. Three years ago, I was waiting on the rest of my life
to arrive, with trumpets and fanfare and confetti. Acceptance letters from
schools were about to begin rolling in, schools from places that were not
on Hellmouths. I would go to Duke or Northwestern or William & Mary,
have a private dorm room done by a decorator, choose just the right fashion
stance between collegiate classic and youthful bohemian, and start building
a brand-new empire for Cordelia Chase. I figured 2002 would be part of my
junior year abroad; I was thinking maybe the University of Malta, for the
Mediterranean tan.
Instead,
right now, I'm cleaning demon slime out of a sweatshirt I bought at Target.
Why, yes, I AM the person the Powers thought would make a great psychic.
You have to wonder about the decision-making process with those guys.
Don't
get me wrong. Between a Mediterranean tan and the life I've got now,
there's no contest. Being Angel's Seer is the most meaningful thing I've
ever done in my life. There was a time when I thought the cost would
actually be my life; if all I lost turned out to be a college education and
a few more years of immaturity, then I don't think I really paid too much.
But
for all my newfound purpose in life, sometimes I do wonder. What would it
be like? Sorority houses, honor roll, boyfriends who are actually boys.
Instead,
the romance in my life is provided by a vampire.
Now,
this has its charms too. Being a vampire is part of who and what Angel is;
I used to pretend that it wasn't, but I guess his misadventures with Darla
taught me that much at least. Angel is obsessive. Angel is intense. Angel
is focused. These things can work for good or for bad, but they're not
going anywhere, and I've just had to learn to deal. When you're spending
time with a vampire, a certain level of single-mindedness is going to be
part of the package.
But
I'd only seen the dark side of that before. I never realized how that
intensity could be helpful, even beautiful, when he's motivated by love.
He
remembers everything I say, everything I like or don't like. When I
mentioned a Chekov story I'd liked in honors English, he brought home a
book of plays for me, told me about seeing some famous actors performing
"The Cherry Orchard" back in the 1940s. When I complained about
how my feet hurt after running in heels -- and the bad guys always seem to
pick the days when I've worn heels -- he bought all this froo-froo stuff,
foot scrub and a massager and a pedicure set, and pampered me all night.
My
favorite, though? The new sheets. We sleep together a lot of nights -- just
sleep -- and I had some troubles at first. The Hyperion is a drafty old
barn, and cold hotel plus cold sheets plus cold dead vampire equals one
really, really cold bed.
When
I told Angel I was going to have to start sleeping at home, he went out and
bought flannel sheets -- ridiculous things, left over from the holidays,
because they were the only ones Mr. Cheapskate could find on sale. Patterns
like reindeer leaping over rooftops, or presents with gaudy bows, or
dancing snowflakes. In other words, NOT the Angel scene at all, you'd
think.
But
he thought they'd keep me warm, and they do. They're the snuggliest sheets
imaginable, and not only do they keep me toasty, eventually my body heat
warms up Angel as well. After a half-hour under those sheets, Angel feels
like he's alive too, and I never saw anybody smile the way he did when I
told him that.
So --
flannel sheets, pajamas and no sex. I tell myself it's like we skipped the
courtship and went straight to marriage.
We
didn't, though. We ended up here because we were hurting, a lot. Hurting so
much that we didn't act the way we should have acted. So much that I didn't
see the stuff I should have seen, not until it was too late.
That
horrible night, when I got back and found out about Connor -- I didn't know
I could hurt like that. I'd felt pain in my life, sure. Doyle's death. The
IRS foreclosing. Xander Harris betraying me with that skank Willow. (I like
Willow now, most days, but that's because most days I don't think about
Xandergate.) That day, not long after I moved to L.A., that I realized I
didn't have enough money to buy food.
But
none of it even came close to the way I hurt for Connor, for Wesley's
betrayal, for the way our family had been lost forever. And never before I
had been in pain like that and still known that I was hurting less than
someone else, someone that I cared about.
And
when I pulled Angel into my arms, I felt his body go tense against mine --
felt my own body begin to respond --
I
knew what it was, of course. I mean, it happened to us once before. Right
after Doyle -- I hugged him and he hugged me, and the hug just kept on
going, and basically the only reason we didn't do it then was that we
didn't need the comfort badly enough.
But
that night we did.
I
kissed Angel, nice and soft. I guess I was kind of asking permission. I
understood what I was feeling -- this overpowering, animal need to be with
Angel, to give him life through my body.
And
when he kissed me back, kissed me so hard, I thought he had to be feeling
the same thing. What else could make him react like that? Make his hands
shake as he pulled the clothes from my body? Make him whisper my name as I
lowered myself onto him, and he was inside me for the first and only time?
But
then -- after I came, just before he did -- he whispered, "Cordelia --
I love you."
He
meant it. Not like a friend, either. Angel loved me, was looking up at me
with love more devoted and desperate and heartfelt than anything I'd ever
seen or imagined.
Angel
loved me, and I didn't love him back. Not like that. And he was hurting so
much, and he was inside me, and he had lost everything else in the world
that would ever matter to him, and I could feel my eyes filling with tears
as I lied to him.
"I
love you too, Angel."
After
he'd fallen asleep in my arms, I kept holding on to him, trying to think of
what to do. I didn't feel bad for not telling him the truth in that moment
-- I still don't. How could I have hurt him again, like that, right then?
But
the fact remains -- I didn't have to lie. But I did. I did it to give him
comfort, just like everything else. And as I lay beside him that night, I
had to ask myself how much more I was willing to give.
Groo
had gone back to Pylea, already fed up with our crazy dimension and a
princess who'd proved to be all too mortal. I already knew he was pretty
much my last chance at anything resembling a normal relationship. I was
still reeling from finding out about Wesley, wondering just what kind of
guy I'd been friends with all this time. I knew that I was a better person
as Angel's partner and friend than I'd ever been before or ever would be
again.
I
wasn't going to get a whole life. But I could make the best of what I did
have -- and maybe give Angel some happiness, some kind of reason to go on.
So
when Angel woke up the next morning, he woke up beside a woman who told him
she loved him, that she always would, that she'd help him through his pain
and loss, and that the limitations didn't matter.
I
really should have tried harder at the acting thing, you know? Because,
when I set my mind to it, I'm way good.
And
so we go on. The curse gives me the space I need; Angel and I don't really
behave that much differently than we did before. We sleep side-by-side, and
yeah, sometimes we kiss, but our lives are as unchanged as they could have
been, all things considered. We don't talk about what we don't have --
about everything we've lost, everything we're not gonna get.
Sometimes,
yeah, it's tense. When we're working out, for instance -- I guess the
hot-and-sweaty exercise action gets to him, and I can tell he's getting
turned on, and I try not to let him see how uncomfortable it makes me. Or
at night, sometimes, when we're lying next to each other, talking or just
resting, he looks over at me, and there's so much love there, so much
wanting, that I want to shake him, or scream, or run away.
And,
if I'm gonna be totally honest about it, yeah, sometimes I get turned on
too. Angel's so good to me, and it's his body next to mine all the time,
and he's a perfect ten on the hunkometer. I'm only human. Well, mostly.
Nights
like those -- when I want him just as a guy, just from wanting someone --
those are the dangerous ones. Because those are the nights I want to tell
him the truth.
After
all, if I told him that I don't love him like that, never did, never will
-- that it was a lie, all a lie I told to spare his feelings on the worst
night of his life -- no chance of perfect happiness then. And after the
heartbreak, after he pulled himself together, we could be lovers, and he
could have the comfort of my body. And maybe that wouldn't be as good as
the comfort of my pretend love, but dammit, at least it would be real --
And
then I think about the heartbreak, about what that would do to a guy who's
had too much done to him already. And I stay quiet.
We
end up the same way, night after night, wrapped up in bed together, my body
heat making him feel a little bit alive, warmth wrapped inside dancing
snowflakes. We don't have sex, and we don't have the truth. But I tell
myself it's enough.
Whatever
we have, it's enough.
***
END
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